Chinese landscape painting is at least 1000 years earlier than western landscape painting. The meaning of its appearance is actually a history of Chinese thought. As early as 7000 years ago, the awakening of the ancient times was recorded in the form of patterns. The Hemudu culture of the Neolithic Age has expressed the connotation of conceptual culture with line engraving. The origin of settled farming civilization not only makes people understand the beauty of tools, but also the beauty of shape on the tools. Art is not only an imagination of conquering nature, but also a symbol of conquering nature. From the beginning, ancient times and nature lived in an artistic way. The discovery of logic and appreciation of art deduced people's eyes, making a Chinese schema of the unity of heaven and man from chaos to clarity

Since Yangshao culture, the relationship between man and nature has become symbolic. In the way of geometric decoration, the concepts of symmetry and motion have been obviously applied to the expression of time and space. What is particularly touching is the Painting of Worship of God Ji. In the context of establishing the country by farming, sacrificing to the god of millet has always been popular. The relationship between the rice, the farmland and the people in this picture conveys a simple understanding of the meaning of life by our ancestors. On the basis of the cognition of the natural relationship between human beings, animals and plants, social consciousness has become the most critical origin of civilization. The Village Map of Cangyuan Culture records human understanding of the "home" of farming settlement in the form of rock paintings. The most visually interesting thing in this painting is the road connection centered on the village, and the gradient deepening around the front center of scenes such as detaining prisoners, herding livestock, offering sacrifices to heaven, and jumping off gods. The depth in the plane has been strongly reflected in this painting. The relationship between man and nature, the relationship between man and society, is constantly deepening and developing with the view of art